from Keyboards,
14 visual/textual poems for Tom Jenks
Catherine Vidler’s recent publications include
2_154_77_79_38_118_41_115_19_137_60_96_21_135_58_98_9_147_70_86_31_125_48_108_12_144_67_89_28_128_51_105_4_152_75_81_36_120_43_113_17_139_62_94_23_133_56_100_7_149_72_84_33_123_46_110_14_142_65_91_26_130_53_103_2_154_77_79_38_118_41_115_19_137_60_96_21_135_58_98_9_147_70_86_31_125_48_108_12_144_67_89_28_128_51_105_4_152_75_81_36_120_43_113_17_139_62_94_23_133_56_100_7_149_72_84_33_123_46_110_14_142_65_91_26_
130_53_103 (Hesterglock Prote(s)xt, 2019), deleted sonnets (Penteract
Press, 2019), 78 composite lost sonnets (Hesterglock Prote(s)xt, 2018), Lost
Sonnets (Timglaset, 2018), collected composite lost sonnets (SOd press, 2018),
lost sonnets (Spacecraft Press, 2018), table sets (no press, 2017), lake labyl
(Penteract Press, 2017), table set poems (Penteract Press, 2017), table set
poems (Spacecraft Press, 2017), lake labyl (SOd press, 2017), chaingrass errata
slips (SOd press, 2017), chaingrass night and unresolved chaingrass tiling (SOd
press, 2017), chaingrass (SOd press, 2016) and chaingrass (zimZalla Object 039,
2016). Publications forthcoming in 2019 include Keyboards, 14 visual/textual
poems for Tom Jenks (The Blasted Tree), Repetitive Poems (Simulacrum Press),
stamp sonnets, 28 visual poems created from material contained in hartmut
abendschein’s ‘stamp stories’ project (SOd press) and Lost Sonnets (edition
taberna kritika).