kevin irie

 

 

Welcome to The Marsh Visitor Centre!

You know the direction. It’s the way
you aren’t sure of. A view you didn’t
expect to be seen lies bare before you, 

courtesy of The Marsh Visitor Centre.
Its revamped wetlands made sight-specific:
the once deemed empty 

now branded as filled. A raised boardwalk
ramps up the impression you’re
closer to water though you’re more 

like a raccoon at a sunken koi pond
where edges precisely canted at angles
keep you from making 

any direct contact in the way that
Narcissus failed to forestall.
Repetition is rendered 

by reeds at the shoreline
where much looks equal but nothing
stands out, where too often  

nothing means just what you can see.
Brown scum shed by waves
could be snakeskins moulted by the movement 

of each undulation. Drifting twigs and leaves
mingle and merge past a beaver lodge
disabled by its own solidity 

from joining the flow. Decay and debris
floating a crowd-sourced creation.
Ahead, signs point you away 

from more scenery: Do not enter. Stay on paved roads.
But what makes sense may not make for perspective.
As if a woodland path can be pulled 

from its forest. As if a trail is only
the dirt that defines it. Don’t even joke about
the improved parking lot paved 

with good intentions.
We justify what we can of ourselves.
Does the past have any place 

all for its own? Apparently not.
Or maybe past here. Clearly a place where
you no more belong than 

you’re welcome to linger uninvited.
There’s sumac and dogwood taking position
against random shrubs of mass profusion 

whose constancy fails to unite as one form.
Then there’s phragmite, hogweed, purple loosestrife.
At home in places 

they should not be. According to signage,
those plants are invasive, a resiliency to be envied
or outright killed. Proceed with caution, 

watch your step,
since advances don’t preclude
a setback ahead. See that pool-- 

where there used to be cattails?
They’ve vanished completely. Reflect on that.
There’s no off-season 

when it comes to change.
This marsh keeps to corners you’ll never reach,
knows not even Nature 

can hold on to its looks.

 

 

 

The Compulsions of Snow

The compulsion of snow
to keep on rising.

To descend as
tiny ripped parachutes.  

To keep underfoot
what it sent undercover. 

To lie shattered by
the silence it fell through when 

it pulled all that
quiet down.

 

 

Kevin Irie was a finalist for The Toronto Book Award and The Acorn-Plantos People's Poetry Award for Viewing Tom Thomson, A Minority Report (Frontenac House, 2012). His poetry has been anthologized and translated into Spanish, French and Japanese. His next book, The Tantramar Re-Vision, is forthcoming from McGill-Queen's University Press, summer 2021. He lives in Toronto.