Christian Ward

 

Exit Strategies 

the trees are badly drawn nudes
that'll be £3.60 for the beer
i don't know / what do you think speaks the language of ice floes? 
WE SHOULD BREAK UP
Update me on the brochure project, mmkay? 
The telephone's cracked carapace can't be glued back together 
the runway of the tongue is making my mother vowels fly away 
bohemian waxwings are drunk on everything i despise
the apartment speaks an adult's dialect / i can't understand a word it says 
i don't know where the EXIT is, Sir

 

 

Conviction 

The woman sitting in front of me has a goat in her handbag. I'm convinced. She moves a little and a bell rings. I'm convinced. There is a tuxedo shaded pygmy goat with a bubble-gum-pink bow inside. I'm convinced. Her name might be Tinkerbell or Gloria. I'm convinced the bell is attached to a cracked red leather collar turning terracotta. I'm convinced. The woman sitting in front of me moves a little bit more. The bell rings. I'm convinced the goat is real. I'd like her to open her bag so I can offer some downy arm hair to chew instead of non existent grass. I'm convinced. The woman in front leaves but I keep hearing the bell. Is this a sign? I'm convinced. Maybe the goat is the saint everyone says I mutter about in my sleep, asking to take away my pain that bleats in the day and makes me bash into everything like a bumper car gone haywire. I'm convinced. 

 

 

Cornflakes/Sekalfnroc 

I trudge/egdurt through the darkness/ssenkrad 
like a pit pony, passing rapeseed
fields dyed white by moonlight/thgilnoom, 
a closed down pub/bup wearing a fibreboard 
eyepatch and the village shop
figuring out its identity/ytitnedi. I sit/tis
to eat/tae economy cornflakes/sekalfnroc
in milk/klim diluted with water/retaw 
and think/kniht of you/uoy 
mirroring/gnirorrim our/ruo distance/ecnatsid
that even the stars/srats seem closer/resolc. 

 

 

Pony

Eccentric animal lover moves pony into semi-detached house

The pony is sitting in her favourite chair 
looking at the Daily Telegraph. Human 
words ricochet in her brain. Now she is 
crunching on boiled sweets, remembering 
the field developing like film in her mind. 
The pony studies the room and sees grass. 
The furniture, carpets, wonky lamp and TV 
are lush grass stalks. Even the woman 
coming in with a tray of tea and apples. 
She wants to chew every inch of her 
while remembering the endless field 
that kept her behind an electric fence, 
away from thoughts of the road that 
rushed quickly. Away from the thought 
of a thought.





Christian Ward is a UK-based writer who can be recently found in Red Ogre Review, Discretionary Love and Stone Poetry Journal. Future poems will be appearing in Dreich, Uppagus and BlueHouse Journal.