Moni Brar

 

Summer Farm Crew

This poem is for the Uncle-ji who has a laugh that booms across the fields and transports you elsewhere For the Auntie-ji with the round belly who makes the best sooji prasad and brings it in a tiffin to share For the Uncle-ji who laments about no longer being a zamindar in this new land while Auntie-ji worries about the rising price of cane sugar For the Uncle-ji who sends money to the Khalistan movement in the hopes that one day there will be a homeland for his kin his people himself For the elderly Auntie-ji with new dentures who offers wide smiles while she works slowly so very slowly For the Auntie-ji who brings jalebi when it’s lohri and there’s finally a reason to celebrate even though you’re all so tired For the Uncle-ji who is the Big Boss who promises you a Bic Mac if you keep working that day long past dusk For the Auntie-ji who lets you sleep over at her house so you can escape the dark for at least one night For the Auntie-ji who grows tea roses For the Uncle-ji who gives you a smile and a box of fresh peaches one day for no reason

 

 

 

 

Ode to Bohemian Waxwing

I, in self-imposed exile,
confined in glass cage.
You, perched to peer
with bold black eye stripe,
my little bandit bird. 

I, marvel at flight,
freedom of wings and feathers.
You, visit each day,
become my sleeping neighbour
each threadbare night. 

I, learn your pinched beak,
soft curve of your chest.
You, hide a crest
at the back of your head,
wings spread in laddered pattern. 

I, feed on shadow thoughts
in the absence of conversation.
You, my only confidante for miles,
feast on late summer fruit,
on wide-spaced silence. 

Our, desires both feral.
Yours, contained in nest,
Mine, gently tucked
into duck down duvet gifted
by your distant relatives.

 

BIPOCular 

to be BIPOCular is to be three shades darker
than anyone else in the room
four in the summer
to not celebrate that upcoming holiday
to not decorate your office/cubicle/desk
in red, green and gold
to show up at the potluck with a tray of food
that needs an explanation
to know the taste of many,
many spices and herbs
to take years to accept your hair
just the way it is
to lament frosted lipstick
to have music buried in your soul
and the taste of jasmine on your lips. 

 



Moni Brar (she/her) was born in rural India, raised in northern British Columbia, and now lives as an uninvited settler on Mohkínsstsisi (colonially known as Calgary). She has multiple nominations for Best of the Net and the Pushcart Prize and was the winner of the 2022 Lieutenant Governor of Alberta Emerging Artist Award. She is an alum of Tin House and The Banff Centre. Her creative work can be found in Best Canadian Poetry, Passages North, The Literary Review of Canada, Prairie Fire, Room, PRISM, and Hobart, among others. She believes art contains the possibility of individual and collective healing.