Sheila E. Murphy

 

Spring Pantoum

How to know: Is moonlight ripe
Southerly winds have little to do with this
Rampant brain bleeds treble quietly
Off to the hospital where oncoming sirens blare 

Southerly winds have little to do with this
Features transect stalled benefits
Off to the hospital where oncoming sirens blare
Surgeon holds a chair gifted by some name brand human 

Features transect stalled benefits
Marimba meanwhile taints stucco with husk tones 
Surgeon holds a chair gifted by some name brand human
Generosity seeds syllables to be voiced again  

Marimba meanwhile taints stucco with husk tones
Warm pooled tones of the throat twang forth
Generosity seeds syllables to be voiced again
Render unto seizures the length and width of silence 

Warm pooled tones of the throat twang forth
Someone in the crowd befits a taut crown
Render unto seizures the length and width of silence
Her reticule casually contained intention 

Someone in the crowd befits a taut crown
Royal flush fleshes out command form verbs
Her reticule casually contained intention
Causal emergencies merge in private 

Royal flush fleshes out command form verbs
A gathering of puppets trained in servility 
Causal emergencies merge in private
Protected by sheets of shelf paper in pamper blue 

A gathering of puppets trained in servility
Distract from civil living and civil suits
Protected by sheets of shelf paper in pamper blue
Northbound traffic meets the chosen few 

Distract from civil living and civil suits
Rampant brain bleeds treble quietly
Ontology's mostly a basketball in season
How to know: Is moonlight ripe

 

Sketch

You threatened to forget me. Water brimming beachside. Our beach. What if malignant waves washed delicate skin. Skeleton skin. On Catalina Island we learned to mourn. Taught ourselves the sideways mirror carved into the shape of a heart. Easy to feel history. Film stories, glamor, flair. Your soft young hair. We walked up slim stone stairs. I memorized where missing roads might be. Then tasted fresh fish. Sourdough. Two men at the next table convened at the edge of life's end. I took a card from one I almost kept. Easily faded into sleep. Dreaming a skiff. In fog of morning here. 

 

 

The Poem 

The poem decides
not to be 
dead in other words
the poem relaxes
into a ham-
mock without mocking
bird or mocking  

The poem lands 
on a handsome hand
retrieves its echo 
not far from 
slowly running
river vine unseen 

The poem entices
cloud or sun or
spiked heels of 
steel rain denting
cars and bikes
the hands the face 

The poem weaves 
yarn and yarns
twist into selves
unknown the tone
of the rests unfilled
still sings steel guitar 
rinsing whole tones
of sine wave choir


 

Solipsist-o Calypso
 

He auditions constantly, sensing
talent scouts are on the prowl for him.
He won't be disabused of the idea
he is wanted everywhere, he prepares
to be discovered by invisible explorers
seeking greatness exhibiting taste,
refined as polished silver on the tables 
of royalty awaiting his entrance. 
In his mind, he belongs
in full regalia, ready to be captured 
on film like a peacock
always seen, despite wind,
even rain, the relentless rain,
shielding us from ourselves.

 



Sheila E. Murphy. Appeared in Fortnightly Review, Poetry, Hanging Loose, and others. Forthcoming book: Escritoire (Lavender Ink), October Sequence 52-122 (Chax Press), and an as-yet untitled collection from Unlikely Books. Most recent book: Permission to Relax (BlazeVOX Books, 2023). Won the Gertrude Stein Poetry Award for Letters to Unfinished J. (Green Integer Press, 2003). Won the Hay(ha)ku Book Prize for Reporting Live From You Know Where (Meritage Press, 2018). She lives in Phoenix, Arizona. 

Her Wikipedia page can be found at: https://en.wikipedia.org/wiki/Sheila_Murphy