Robert Sheppard

from Unth(reading) Clare


De Wint! I would not flatter nor would I

Skill in critique isn’t flattery
(though Bo loves to be liked) 

yet in rediffusion of
Petrarch I subtitled his subtle 

sex scenes with smut and sleaze! I
painted deadly freaks on Surrey’s 

coats of arms, left Drayton to fashion
his own out of his vegetable features. 

Now I wake up inside romantic sonnets.
Yesterday, I found myself within 

one of Wordsworth’s on the death
penalty, a magistratic drone denying 

mercy (that’s Petal Patel sorted
for Bressex Poetry Day). Today, 

I scramble out, masked, voice muffled,
glasses steaming, to level 

pastures to see how Clare’s spots
mark me see that shallow bowl

of field in Sefton Park, filling
with fog, floating scattered crows 

in half-fading light, ghostly specks
of silent smoky grey, as hope – 

while commonsense sees nothing
but an image of social distancing. 

Clare wrote to Dr Darling about
inoculation. Will I run out of poems 

to twist into pricks before I get mine?
A magpie skates down the freezing slates. 

4th January 2021

 

 

Black grows the southern sky betokening rain

You know how this ends: the driving rain
drives you home again. A murder of crows
in the rheumy treetops settles. They feel the
change, no unconscious flapping without will. 

Before long, your legs will be denim wet. Trump’s
storm troopers stormed. The first drop drops.
Everything focusses from this: looking and hearing,
shunning and taking (rolling out a vaccine). 

Bouncing in the mulch, the blackbird with
golden beak stops to look at you, stopped.
He blurts a curt ‘chup-chup’, hops where his
brown mate’s found thorny shelter from the storm. 

No room for you. A thousand deaths a day.
Your best wishes are dreams without horizon.  

10th January 2021

 

 

What a night! The wind howls, hisses and but stops

I love to wander
the vacated Covid streets 

as snow falls slow
on the breeze. A single 

flake flukes my pocket,
pricks my bare hand. I 

lift it out and smile.
What a night! was ever 

said in the soft
safety of morning, sun 

burning on snow
heaped by glistening tarmac: 

escape for Triumph Herald
with spinning tyres 

and gasping motor.
Night allegorised so 

that even pissing
at frozen bus stops drunk 

prefigured the never-
believed in the un- (yet)- 

known, as new
sensations flooded 

old memories.
In the windows 

of parallel streets: peeling
NHS rainbows from last spring, 

BLM placards from
unthinkable summer.

16th January 2021

 

 

The oddling bush, close sheltered hedge new-plashed

Clare’s going to say ‘oddling’ if he wants to.
This poem’s all tits and bums: 

the only human here’s a peeping tom.
All the action’s avian, and its heroes, 

the Stakhanovite builders in the hedges,
implementing instinct’s one-year-plan. All 

this in the sharp delivery of his gossamer
description. The eggs, 10, he says, or 12, 

as though counting them with us, their
‘dusts of red soft frittered’. Hope’s

fore-shining, in the tiniest traces
of the littlest things that nestle 

unscheduled, shatters
against news of the Liverpool Variant. 

The song thrush from lockdown 1 reappears,
propped and primed along the chimney stack, 

peeping stray notes
like a saxophonist teasing the reed, 

constructing disconnected phrases
into languid play of intricate 

intermittent melody: cool thoughts of
Ahmad Jamal looking at undepressed keys, 

or Miles listening over lowered trumpet,
staging their forthcoming forming in waves 

of silent anticipation. Knowledge is won.
No hungry peasant contracts Covid-19 

just to defraud Bo of five hundred quid!
Soon the sonnet will fill with flustery song. 

23rd January 2021

 

 


Robert Sheppard is author of many volumes of poetry and criticism, including recent volumes The English Strain (Shearsman) and Bad Idea (Knives Forks and Spoons), which are the first two parts of a trilogy of ‘transpositions’ of traditional sonnets. Shearsman also publish his selected poems, History or Sleep, and a book of essays on his work, The Robert Sheppard Companion, edited by James Byrne and Christopher Madden. He is emeritus professor of Poetry and Poetics at Edge Hill University, and blogs at www.robertsheppard.blogspot.com .