Matthew King


Squirrel Icarus

You see them hold
their spiral lines
without mistake
you think like Earth
knows how to keep
from tipping over
into outer space— 

today I looked
in time to catch one
twist around
an empty line
and grasping nothing
disappear
to land behind my shed— 

I marked its error
but I didn’t
run to stare
it isn’t that
I didn’t care but
out of the blue
somebody’s always falling 

 

 

Six Tanka On a Stupid Chipmunk

1.

Look at this chipmunk.
He’s a complete idiot!
How is he alive? 
He’s an adult with many 
responsibilities. Wow! 

2.  

He’s gotten himself
cornered by three cats again.
The wise one places
a paw on his head and then
lets him go—till tomorrow. 

3. 

He bites the heads off
my tender seedlings and drinks 
the sap they pump out.
Isn’t that clever of him?
No, he just bites everything. 

4. 

Sometimes he stands still,
stares straight ahead seemingly
at nothing, and chirps
monotonously for hours
on end. I’m not kidding. Hours. 

5.  

Chasing another
chipmunk he runs right into
my boot. If I felt
like it I could stomp him to
death. He has no idea. 

6. 

Now he’s drowned himself
in the shallow water bowl
I left in the shade.
I thought I was helping him.
It isn’t my fault, I think.

  

 

On a Chipmunk at the End of Time

Like so many familiar summer sounds
its source is so normally out of sight
you might make up a story, maybe mix
one up with another you were told once
about something else, like when we were kids
we said the hiss-hiss-hiss in the grass was
grass snakes and the buzz-zz-zz in the trees
was tree frogs—I probably didn’t know
it wasn’t frogs until one day the cat
came in with a half-strangled cicada,
displacing cold-blooded narrative with
its passionate natural history. 

Crickets, and whatever things other than
crickets make the sounds we say are crickets,
are so constant that it takes an effort
to notice them, and this is also true
of stranger background noises such as these
peculiar chirps the particular sound
of which—something like a wood block being
struck struck struck—we’ve never heard explained. Birds?
Generally speaking you might suppose (I
suppose I did suppose) they sound like birds
sounding unremarkably unlike birds.
But two hours ago I traced the chirping 

to a chipmunk standing under my car.
It’s been standing there ever since, chirping
like a wood block struck struck struck. What does it
mean by this? I mean, what is moving it
to do what it’s doing, I mean, not to
move but stand there chirping all afternoon?
Everything it had to do for today
must be done, and if it’s done for today
then for what remains of summer, and if
for summer then what remains of the year,
this year. What need to gather does it feel
now? The time for gathering is finished 

or close to finished as it ever is—
how can a chipmunk know? How can it know
how long the winter is in front of it,
how deep below the ground it has to go,
how many seeds and nuts it has to store,
and which of them are imperishable?
It knows: days shorter, shadows longer, time
(whatever time is) up. Today we ate
tomatoes dripping the redness they wrung
from withered vines and we gathered ourselves
as we were moved to sound, to speak, and stop.

 




Matthew King used to teach philosophy at York University in Toronto; he now lives in what Al Purdy called "the country north of Belleville", where he tries to grow things, counts birds, takes pictures of flowers with bugs on them, and walks a rope bridge between the neighbouring mountaintops of philosophy and poetry.